We promote four or five concerts each year ourselves in London. Crouch End Festival Chorus is also hired to perform concerts with leading artists. Here are some of the highlights from our recent concerts:
Our world premiere of an exciting work by up-and-coming British composer Ryan Latimer together with two classic pieces by Leonard Bernstein will be broadcast on BBC Radio 3 on November 16.
The Barbican concert, which took place on October 24, featured the Crouch End Festival Chorus commission Frigates and Folly by Latimer and American composer Bernstein’s West Side Story Suite No 2 and Chichester Psalms.
The performance saw the choir team up with the BBC Concert Orchestra, four soloists from the prestigious Royal Academy of Music --- Valeria Perboni, Emily Chesterton, Kieran Parrott and Nitai Levi – and boy treble Joshua Abrams.
It opened with the BBC Concert Orchestra playing Tchaikovsky Romeo and Juliet Fantasy Overture before the 28-year-old Latimer’s new work was well received in the Barbican Hall.
"With his skill, sense of fun and imagination, he has a promising future ahead of him," Crouch End Festival Chorus Music Director David Temple said.Latimer, a lecturer in music at Birmingham University, tweeted: “Thanks for such a fantastic first performance of Frigates and Folly. A truly memorable and humbling experience all round.“
Abrams, 12, won much praise for his solo in the second movement of the Psalms (Adonai Ro-i, Lo Ehsar or the Lord is my Shepherd) before Valeria, Emily, Kieran and Nitai took on the roles of Maria/Rosalia, Anita, Riff and Bernard/Tony respectively in rousing renditions of the popular I feel Pretty, Jet Song, America and Tonight.
The concert is scheduled to be broadcast on Radio 3 on November 16th at 1530, the BBC said.
David Temple and the performers take a bow at the Southbank (Picture: Paul Robinson)
Our afternoon concert on July 1 2018 concert at the Queen Elizabeth Hall at the Southbank Centre put together Stravinsky's Les Noces and Carl Orff's Carmina Burana with the London Orchestra da Camera Percussion Ensemble, pianists Paul Ayres, Benjamin Frost, Peter Jaekel and William Vann and soloists Marta Fontanals-Simmons, Grace Davidson, Robert Murray, and Benedict Nelson. Four pianos, four soloists and a magical afternoon.
"Massive ... impressive ... ominous ... extraordinary." The critics were united in their opinion of the scale and power of Prokofiev's Cantata for the Twentieth Anniversary of the October Revolution, performed under the baton of Russian-born pianist and conductor Vladimir Ashkenazy in Cardiff and London in May 2018.
A full stage of performers for Prokofiev with Ashkenazy at the Royal Festival Hall (Picture: Paul Robinson)
To stage the Cantata, Crouch End Festival Chorus joined a 150-strong Philharmonia Orchestra, the Philharmonia Voices and a brass band from the Royal Welsh College of Music and Drama.
Violinist Pekka Kuusisto added to the success of the two concerts, being warmly praised by the critics and receiving adulation from the audience at both halls for his interpretation of the Prokofiev concerto. Two spectacular evenings of music under a legendary maestro, a privilege for the choir to be part of them.
Because we often commission new pieces, it is not unusual to have a composer in the audience waiting nervously to hear his or her work for the first time.
At the “Prayer of the Heart” concert at St John Smith’s Square on 10 February 2018, part of the venue’s Americana series exploring English and American music written in the last 80 years, Crouch End Festival Chorus joined the renowned Brodsky Quartet for a special evening with two composers listening.
The choir enjoys performing at historic venues such as St John’s Smith Square.
Sitting in the audience was composer Paul Patterson who wrote Time Piece for the King’s Singers in the 1970s. He had rearranged the work for us and had attended some of the rehearsals for the concert. Music director David Temple invited Patterson to take a bow from his place in the audience.
The concert also included the thrilling Revelation Window by Bernard Hughes who has worked with us several times. He also received a special round of applause before the concert concluded with John Tavener’s Prayer of the Heart.
This was composed in 1999 for the singer Bjork and the Brodsky Quartet and was performed in this new interpretation with the permission of the Tavener estate. The lights were dimmed and, with the sound of a heart beating throughout, the choir and soloists chanted in Greek, Coptic and English to some excellent playing from the quartet.
The choir have recorded Christmas albums and music for special TV programmes in the past and began the 2017 festival season with the honour of joining King’s College Choir at the Royal Albert Hall for a special concert of music from Bach’s Christmas Oratorio and Handel’s Messiah plus carols including John Rutter’s Shepherd’s Pipe Carol and Berlioz’s L’Adieu des Bergers.
A colourful Christmas concert in Highgate following a night at the Royal Albert Hall.
But after the buzz of a packed Albert Hall, we equally enjoyed the intimacy the following day of our Christmas Concert on home north London soil at St Michael’s church, Highgate.
We sang some of the popular carols from our album The Greatest Christmas Choral Classics as well as inviting the audience to join in favourites such as Once in Royal David’s City and O Come All Ye Faithful.
Each year our Christmas concert helps to raise money for a different charity. The 2017 concert was in support of a local community charity Hope North London.